Ukrainian rap and folk band Kalush Orchestra won the Eurovision Song Contest on Saturday as European viewers and juries delivered a symbolic, pop-culture endorsement of the solidarity behind Ukraine’s defense against Russian invasion.
After 80 days of fighting that displaced millions from their homes, destroyed cities and towns in eastern Ukraine and killed tens of thousands, the band won an emotional victory for Ukraine with their performance of “Stefania,” a stirring, anthemic song. Written in honor of the mother of the group’s frontman Oleh Psiuk, the song has been reinterpreted as a tribute to Ukraine as a motherland since the beginning of the war.
The song features lyrics that roughly translate to “You can’t take my willpower from me like I got hers” and “I’ll always find my way home even when the roads are ruined.”
According to Suspilne, the Ukrainian public broadcaster, the Kalush Orchestra was considered a favorite and traveled on special permission to circumvent martial law that prevents most Ukrainian men from leaving the country. This week, the band brought a semi-final crowd to their feet in Turin, Italy.
The band’s victory over 40 other national acts illustrates how Russia’s invasion of Ukraine is uniting Europe, unleashing a wave of arms and aid shipments to Ukraine, pushing countries like Sweden and Finland closer to NATO and marginalizing the European Union has to shut itself off from her Russian energy.
And it underscored how far-reaching Russia’s alienation from the international community has become, stretching from foreign ministries to financial markets to culture. After Russia invaded Ukraine in February, organizers banned Russian artists from the event, fearing that including Russia would tarnish the competition’s reputation.
The world’s biggest and possibly most eccentric live music competition, Eurovision is best known for its dazzling performances and star potential – helping to launch acts like Abba and Celine Dion to international fame. But as a showcase intended to promote European unity and cultural exchange, it has never really been separate from politics, despite competition rules prohibiting contestants from making political statements at the event.
In 2005, Ukraine’s entrance song was rewritten after it was deemed too political for celebrating the Orange Revolution. When Dana International, an Israeli transgender woman, won in 1998 with her hit song “Diva,” rabbis accused her of flouting the values of the Jewish state.
Ukraine also won the 2016 competition with “1944,” a song by Jamala about the Crimean Tatars during World War II. It has also been interpreted as a commentary on the Russian invasion of Crimea that had taken place two years earlier.
And when, in 2008, Russian pop star Dima Bilan won the Eurovision Song Contest with the song “Believe,” President Vladimir V. Putin promptly went out of his way to congratulate him and thank him for continuing to polish Russia’s image.
Russia took part in the song contest in 1994 and has participated more than 20 times. His participation had been a cultural touchstone of sorts for Russia’s engagement in the world, one that endured even as relations between Mr Putin’s government and much of Europe soured.
Ahead of Saturday’s final, several bookies had named Ukraine as by far the favorites to win. Winners will be determined based on votes from national juries and home viewers.
The war has necessitated other adjustments. The show’s Ukrainian commentator, Timur Miroshnychenko, broadcast from an air raid shelter. A photo posted by Suspilne showed the veteran presenter at a desk in a bunker-like room surrounded by computers, cables, a camera and eroded walls revealing brick patches underneath. It was unclear in which city he was staying.
The bunker had been prepared to prevent interference from air raid sirens, Mr Miroshnychenko told BBC Radio 5 Live. He said Ukrainians loved competition and “tried to capture every peaceful moment” they could.
“Nothing will interrupt the transmission of Eurovision,” he said.